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Dear Black Man, You Good?

Dear Black Man, You Good? (DBMYG) is a Philadelphia-based nonprofit founded in 2024. My work with them centered on developing a logo that authentically reflects and resonates with its core audience: Black men and boys. As a newly established nonprofit focused on creating culturally relevant spaces for healing, connection, and growth, it was critical that the visual identity communicated both strength and vulnerability within a culturally affirming context.

With their flagship initiative being a podcast, the logo needed to function powerfully at thumbnail scale, balancing clarity and impact, while remaining emotionally grounded and visually memorable embodying the organization's mission and values.

Role(s)

Visual Design

Product Design and Prototyping

Links

Discovery & Research

I interviewed Kalif Troy, board member and Director of Outreach, to gain insight into the organization and their audience. DBMYG started as a men’s group therapy session led by Marvin Toliver, LCSW. The group therapy sessions evolved into a podcast after the fourth or fifth cycle the sessions. The show creators wanted to showcase what therapeutic support could look like for Black men, offering a space to express feelings without relying solely on partners, therapists, or friends.

The podcast also allows listeners to hear from other Black men, which can be both helpful and inspiring. Their goal was to share the benefits gained from the group sessions and encourage more Black men to prioritize their mental and emotional well-being.

Design Approach

My goal was to design a logo that established visual trust and connection with the audience at a glance.

The imagery and typography needed to speak to their audience’s core pain points:

“We hear you.” Lack of accessible support spaces for Black men.

“We are you.” The stigma surrounding vulnerability and mental health.

Design Process Overview

The design process involved brainstorming, prototyping, and audience feedback to validate concepts. I started by creating a mood board with images from DBMYG men’s group therapy sessions, visuals shared by Kalif, and imagery associated with Black manhood and vulnerability.

Key design elements: Mockups

Empty barbershop chair

Barbershops have a cultural significance for Black men in America. It is considered a place where they often feel more comfortablespeaking candidly and getting advice from men who understand their livedexperience.

The empty barbershop chair represents an invitation to be in virtual community with other Black men, like saving them a seat. The tone of the podcast is the same as the men’s group— laid-back and relatable. Given the informal nature of barbershops, the imagery suggests to the listener that the tone of the podcast will be casual rather than clinical.

 

Images from the men’s group

Incorporating images from the men’s group allows listeners to see Black men engaged in conversation in a supportive environment and is intended to signal to the listener that the podcast is an extension of that support. Therapy is still considered taboo by many Black men. By incorporating images of actual people, the listener can see themselves reflected back at them and aimsto chip away at the stigma.

After gathering stakeholder feedback, I made the final adjustments to ensure the target audience would see themselves reflected visually, emotionally, and culturally.

Key design elements: Final Design

Focal point

The silhouette of the two faces represents duality in multiple forms:

  • Facing the world, while dealing with inner struggles
  • Adulthood and adolescence
  • Present and past
  • Assuredness and doubt
  • Strength and vulnerability

 

Typography
  • Sans serif font: bold and capital letters to represent strength and capture attention.
  • Dear Black Man, (Impact font): bold, boxy, presence, firm
  • Decorative cursive in background: round, soft, intimate like journaling or writing a letter to a friend or loved one.
  • You Good? (Hibernate font): blends elements of the two. The strokes are rounder and thinner than Impact and the cursive handwriting font, combined with the phrase itself, brings an element of relatability. The text is strategically placed under the male that appears more vulnerable to connect the spirit of the phrase with the words themselves.  

Conclusion

Overall, the logoresonates with DBMYG’s core audience. The positive reception spans generations,proving its wide appeal.

Key reactions include:  

  • Compliments & Curiosity: Every time theshirt is worn, people notice and praise the logo, often asking about itsmeaning.  As a funny aside, someone pointed out that the logo remindedthem of a Michael Jackson meme (in a good way)!
  • Representation Matters: A high school studentloved that the logo depicted Black men with coily hair, saying, "It looks like me. I feel represented."
  • Broad Appeal: Black girls, older Black women (includingprofessionals and seniors), and young Black boys all expressed admiration forthe design.
  • Demand for Merchandise and Sales Potential: initially, the logo was intended for the podcast, its use case expanded due to demand. DBMYG now sells t-shirts, mugs, notebooks, and other itemsdisplaying the logo.

What's next

Currently, I am prototyping a tap-to-share business card in keychain form. The smart keychain contains an embedded NFC chip, making networking more efficient than traditional business cards while also providing income generating opportunities. Tap it with a phone to instantly open links to their podcast, website, and social media.  Release is slated for summer 2026.

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